Linder Danger Came Smiling

Steve Russell

(UK)

Hayward Gallery, Southbank Centre, Belvedere Road, London SE1 8XX
14 February – 05 May 2025

A retrospective exhibition of Linder Sterling, who has been provocatively pushing boundaries since the late 1970s in the Manchester punk scene, with her collage, performance, photography and video.

Her photomontages, inspired by John Heartfield, manipulate found imagery, including magazines, catalogues and pornography, overturning traditional notions of glamour, gender, identity and sexuality. The radical reassembled images mix allure and threat. Closer observation reveals further angles of tension and humour.

Linder Sterling, 2025. 

Untitled, 1976, Photomontage. 

She/She, 1981, Silver bromide photographs from original negatives, 14 parts, Photography by birrer. This series includes nine portraits taken in collaboration with Swiss photographer birre. The other five were based on song lyrics from Linder’s band Ludus. Linder uses ‘self montage’ to interpret the song lyrics. 

Magnitudes of Performance 1, IV, VI and XIV, 2012, Photomontage. Created for Gayhouse, using gay pornographic images combined with advertising images. 

The Goddess That Lives in the Mind, 2023. 

Untitled, 1979, Photomontage. 

Oranur Experiment, 2011, Photomontage. 

It’s The Buzz, Cock!, 2015, Duratrans on light box. A regeneration of the original collage for the Orgasm Addict debut single by the Buzzcocks.

Hiding but still not knowing, 1981. An enlargement of the iconic black and white self-portrait, plastic wrapped around her mouth, holes in her lacy top, confrontational, questioning fashion and glamour photography.

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Steve Russell

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Contributor for Panorama.

Steve Russell, artist. Dealing with issues of self, identity and symbols through the medium of paint, ephemera and other drawing materials. My practice is a figurative style that marries diverse elements into an instantly recognizable, idiosyncratic idiom that is at times touching, dramatic and visceral. Using line and dramatically visceral expressive colour, I produce images that manage to be optimistic and intriguing, even in seemingly mundane or problematic contexts.

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