Led by Director and Chief Exec, Matthew Webb, over 120 editors, writers, and other contributors including Troy Onyango, Faith Adiele, Nicolas D. Sampson, Marie Baleo, Anne Louise Avery, Richard Ali, Robin Hemley, make Panorama possible.
...Panorama emphasises writing and the visual arts created with a deep intelligence, reconnecting us to the world. Thank you for considering submitting your work to our journal, and we look forward to reading your submission.
...Welcome to Panorama: The Journal of Intelligent Travel‘s long awaited LOST, our fifth issue, which we are dedicating to the great traveller, Anthony Bourdain, whose recent passing has affected us all. We offer this issue in celebration of his storytelling. The word lost originates from the Old English losian, meaning to perish. While this collection features many narratives of loss, it also illuminates the journey to being found. We hope Bourdain is finding his way home.
...As an artist-writer adapting Paul Klee’s approach of ‘taking a line for a walk’, I like to lose myself in a landscape. Foot becomes pen; path becomes page. I find that this process occurs most often on longer walks, for it takes time for the white noise of the world, or one’s own neurotic echo chamber, to fade. Time also for the tendency to decode, to ‘translate’ a landscape into words, into meaning, to fall away.
...“Travel is good for the soul. It is a form of active compassion – for the world, for its peoples and places. It shakes you out of your solipsism, encourages you to experience reality from different perspectives and oft-times reconsider your own. There is more than one way of being in the world. Travel turns ‘human being’ back into a verb.”
...Welcome to Panorama: The Journal of Travel, Place, and Nature’s DAWN issue. This bright, awakening, and challenging composition comprises a multitude of world views, places, and experiences. We explore new beginnings, transitions, dawnings, and realisations. New landscapes are explored. New places ventured. New experiences, in familiar environs, are retold. New is often seen as positive, yet change is often more complex, and we look at this too. With our return comes an expanded scope. Whilst retaining a core travel emphasis, we have added ‘place’ and ‘nature.’ Essays in Panorama have always been place-based but this increased focus on the natural world opens up new avenues to explore. With this in mind, we have added a new Ecology & Conservation Editor, Julia Knights, who uses this first issue to speak with world-leading botanist Ghillean Prance. The result is an enlightening and frightening conversation about the Amazon rainforest.
...It has just gone 11am and I am standing in the pre-dawn light at a fault-line between worlds. Here, on the Mid-Atlantic Ridge the continental plates of North America and Eurasia pull apart at the rate of an inch a year, creating, over millions of years, the two-mile wide valley before me – cutting epically across my field of vision and coalescing, in the uncertain distance, into the penumbra where land and sky, night and day, meet.
...Welcome to Panorama: The Journal of Travel, Place, and Nature’s SPACE issue. From the very small to the enormity of our imaginations, essays grow from the furtive earth-bed of mushroom forests to the stars. Granville Carroll’s afro-futuristic cover artwork “Becoming” places us in space. John Angerson provides the obligatory rocket-propelled photos. Matilde Gattoni reminds us that one’s freedom to explore space can suddenly be taken away. The connection with space doesn’t stop there. Melissa Tuckman’s aptly titled poem “Space Junk” connects space debris to modern living. A new section on New Nature Writing probes the world beyond our urban confines. In the second outing for Decolonising Travel, there are excruciating, painful stories, sexual imaginings in the steam room, and personal reflections on historical ties to oppression; all whilst giving writers who have come through VONA/Faith Adiele’s writing programme space to share their work. We finish the issue with a stroll through London — the most ethnically diverse world capital — through the lens of Books Editor Nicolas D. Sampson.
...In this issue we have work from India, Nigeria, Philippines, Israel, Netherlands, UK, USA, Brazil, South Korea, Thailand, Germany, Italy, and more. In many ways it’s the most diverse publication to date for the breadth of contributions and the people involved.
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