As American Falls

Steve Davis

(Washington State, Pacific Northwest)


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As American Falls fades from my life, I find myself vainly attempting to lock its memory to a position of tenderness and beauty–backdropped by allergy-ridden summers and iced-over winters; of cleaning steamy french fry furnaces one hour, and frigid potato freezers the next. Overlooking southeastern Idaho’s Snake River–tamed and fattened by a massive dam, illuminated by brilliant sunsets–American Falls seems to be dying a death that is as slow as it is unspectacular. The local businesses of the past are all but gone, devoured by monsters like Walmart–25 miles from town. Agriculture, the primary source of the town’s economy has also felt the corporate bite. Family farms that made Idaho known for their “Famous Potatoes” are disappearing in favor of giant farms controlled by international conglomerates. The economy, agricultural pollution, the wind and the cold make this town a place not for the weak or faint hearted. In spite of the challenges that face American Falls, people make lots of babies. They go to churches, go to bars, and many, while still young and independent– just go; as did the town’s namesake–destroyed by the very dam that irrigates the crops that feed us.

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Steve Davis

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Steve Davis is a documentary portrait and landscape photographer based in the Pacific Northwest. His work has appeared in American Photo, Harper's, the New York Times Magazine, Russian Esquire, and is in many collections, including the Houston Museum of Fine Arts, the Seattle Art Museum, the Santa Barbara Museum of Art, and the George Eastman Museum. He is a 1st place recipient of the Santa Fe CENTER Project Competition, and two time winner of the Washington Arts Commission/Artist Trust Fellowship . Davis is the former Coordinator of Photography at The Evergreen State College, and adjunct professor at South Puget Sound Community College. He is represented by the James Harris Gallery in Seattle.

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