Edward Burra and Ithell Colquhoun

Steve Russell

(UK)

Edward Burra (1905-1976) and Ithell Colquhoun (1906-1988)
13 June – 19 October 2025
Tate Britain
Millbank
London SW1P 4RG

Two for the price of one, Edward Burra and Ithell Colquhoun are exhibited in two sets of slightly sombre galleries, a comprehensive selection of work from two original and groundbreaking artists.

Edward Burra was born in London, into a wealthy family. He suffered from debilitating rheumatoid arthritis that troubled him throughout his whole life, as a result his watercolours were composed on a flat surface. Burra travelled widely, attracted to interesting urban, metropolitan settings. In America, he immersed himself in the jazz clubs and nightlife of New York. He travelled to Spain and was greatly affected by the Civil War. Sinister monsters appear in his paintings of this era, including his works relating to the Second World War. Post-war, due to his declining health, he limited his travel to driving tours of Britain concentrating on cinematic reflective landscapes, alluding to the destruction of the countryside.

Ithell Colquhoun was born to British parents in Shillong, British India, she studied at the Slade School of Art. She was associated with the surrealism movement in Britain, exploring automatic techniques, occultism, sex, gender and feminism. In 1977 she created the first abstract set of tarot cards, using dripped enamel paint. Colquhoun spent the latter part of her life in Cornwall writing and immersing herself in the mysticism of the Celtic lands.

Edward Burra

Izzy Orts, 1927, Watercolour and graphite on paper.
Izzy Ort’s Bar, in Boston. Featuring a likeness of Burra to the left of the stage.

The Hostesses, 1932, watercolour and gouache on paper.
Included in the International Surrealist Exhibition in Burlington House, London, 1936.

Harlem, 1934, Ink and gouache on paper.
Brownstone tenements, elevated railway in the background.

Wake, 1940, 2 paintings, gouache and watercolour on paper.
A painting from his Spanish Civil War series. Dark, with grotesque red monsters.

The Straw Man, 1963, Watercolour on paper.
When asked the meaning of his landscapes, Burra is quoted as saying, ‘Call in a psychiatrist’.

Paris Edward Burra and Ithell Colquhoun Steve Russell EB 1
Paris Edward Burra and Ithell Colquhoun Steve Russell EB 2
Paris Edward Burra and Ithell Colquhoun Steve Russell EB 3
Paris Edward Burra and Ithell Colquhoun Steve Russell EB 4

Ithell Colquhoun

Song of Songs, 1933, Oil paint on canvas.
Based on a biblical poem. Two lovers in harmony. First exhibited in 1936.

Scylla (méditerranée), Oil paint on board, Exhibited at The Mayor Gallery, 1939.
Use of ‘double image’, two phallic rocks or a woman’s thighs?

Bonsoir, 1939, Collage on paper.
A large series of magazine photographs, possible storyboard for a film, same sex attraction narrative.

Volcano, 1972, Oil paint on paper on board.
Colquhoun’s mystical alchemy fascination resonates. The transformation of the volcano, water into steam and solid rock into magma.

The Taro, 1977.
A series of 78 Tarot cards. Exhibited in Newlyn Art Gallery.

Paris Edward Burra and Ithell Colquhoun Steve Russell IC 1
Paris Edward Burra and Ithell Colquhoun Steve Russell IC 2
Paris Edward Burra and Ithell Colquhoun Steve Russell IC 3
Paris Edward Burra and Ithell Colquhoun Steve Russell IC 4

Download:

Steve Russell

is a

Contributor for Panorama.

Steve Russell, artist. Dealing with issues of self, identity and symbols through the medium of paint, ephemera and other drawing materials. My practice is a figurative style that marries diverse elements into an instantly recognizable, idiosyncratic idiom that is at times touching, dramatic and visceral. Using line and dramatically visceral expressive colour, I produce images that manage to be optimistic and intriguing, even in seemingly mundane or problematic contexts.

<
>
Loading...

Pin It on Pinterest