Incandescent

Athena Serbourne

(Canada)

The crows are pinpointed poets,
an exposing weave across the “lesser” London’s sky

of oranges and roses. Eastern hemlock trees reach
with clean brittle hands, stir wisps of clouds.

Chilled to bone, we crawled through brambles

for rubies, and there was warmth
blooming in sentient shadows

despite cluttered green elm leaves
blocking the rising sun like stained glass. Our veins

contain a longing in their branches.

Crows find shiny bits and trinkets and me. Played
peekaboo from a lamppost

when I cried and I decided I’d follow them
anywhere, these winged saviours slandered

as dark omens. Raced them over the bridge, to the woods

at the edge of the city. A plump crow with a limp
brought me a tiny, wild strawberry. I tied a string around it

and wore it as a ring, felt rich, felt worthy. Planted a kiss
on his crooked beak. Didn’t yet know

how to recognize that these things were incandescent

gifts; the real jewels rival sunsets, talon-dropped
and heart-swapped.

A nightsilk invitation: climb into the nest
atop the tallest evergreen in Kains Woods. A season

of harshness, of collapsed homes. We huddle

up and sleep until the fest of fireflies:
green embers through arbour archways. We are

clinging ivy and loyal wings, the flickering
reason for a midnight

less darksome, more keen.

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Athena Serbourne

is a

Guest Contributor for Panorama.

Athena Serbourne is a Métis poet from London, Ontario and a BFA Creative Writing student at the University of British Columbia. Her poems “Home” and “The Hush” will be published in The Malahat Review’s Winter 2025 issue.

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